The Winter’s Tale

Nael Nacer – Commonwealth Shakespeare Company: Macbeth, The Tempest. Broadway: Prayer for the French Republic (Manhattan Theatre Club). Off-Broadway: The Orchard (Arlekin Players/B.A.C). Regional: Prayer for the French Republic, A Doll’s House, Bedroom Farce, Awake and Sing!, David Cromer’s Our Town (The Huntington); Angels in America: Millennium Approaches (Bedlam/CST); People, Places & Things, Small Mouth Sounds, Tribes (SpeakEasy Stage); The Merchant of Venice, Macbeth, Equivocation (Actors’ Shakespeare Project); The Return (Israeli Stage); The Seagull (Arlekin Players Theatre); The Ding Dongs, Tiny Beautiful Things, True West, The Flick (Gloucester Stage); Intimate Apparel (Lyric Stage); The Kite Runner, A Number, Lungs (New Rep); Shear Madness (Charles Playhouse). Nael is the recipient of Elliot Norton and IRNE awards and is a resident acting company member of the Actors’ Shakespeare Project.

Marianna Bassham* – Commonwealth Shakespeare Company:  Macbeth, Othello, Twelfth Night. The Huntington: Sweat, Yerma, Our Town, Luck of the Irish, and Becoming Cuba and others.  Speakeasy Stage Company: The Band’s Visit (co-produced with The Huntington), People Places and Things, Blackbird, Admissions, Hand to God and many others. She has also performed with Central Square Theater, Greater Boston Stage Company, Lyric Stage, The Gamm Theater, and Boston Playwrights’ Theater. Off Broadway: I Was Most Alive With You. Directing Credits: Every Brilliant Thing and Heroes of the Fourth Turning (Speakeasy), The Mad Ones (Boston Conservatory) and Romeo and Juliet (Actor’s Shakespeare Project, where she has also appeared in many productions.) Marianna teaches acting at Boston Conservatory at Berklee and coaches privately, and has received Elliot Norton Awards for People Places and Things, Blackbird (Outstanding Actor) and Sweat and The Hotel Nepenthe (Ensemble). mariannabassham.com

Omar Robinson* – Commonwealth Shakespeare Company: Macbeth. Huntington Theatre Company: Toni Stone, Common Ground Revisited, Rosencrantz & Guildenstern Are Dead, Romeo and Juliet, Tartuffe. Actors’ Shakespeare Project: King Hedley II, Seven Guitars, Pride and Prejudice, Much Ado About Nothing, Hamlet, The School for Scandal, The Comedy of Errors, Henry VIII, Pericles, Twelfth Night. Other credits include Hartford Stage, Trinity Repertory Company, Dorset Theatre Festival, SpeakEasy Stage Company, Lyric Stage, Central Square Theater, and Boston Playwrights’ Theatre. Education: BA, Emerson College.

Paula Plum* – Commonwealth Shakespeare Company: Shakespeare On the Common: Encores. Actors’ Shakespeare Project: Cleopatra, Lady Macbeth, Beatrice, Touchstone and Phedre. Lyric Stage: Miss Witherspoon, The Heiress and Death of a Salesman; SpeakEasy Stage: The Children, Body Awareness, History Boys and New Century; American Repertory Theatre: Lysistrata, Ivanov, Mother Courage, and The Marriage of Bette and Boo. Ms. Plum starred in two world premieres by John Kuntz: Sing Me To Sleep (Boston Center for the Arts) and Miss Price, which she co-produced (Boston Playwrights’ Theatre). Movie credits include “Irrational Man”, “Next Stop Wonderland”, “Mermaids”, “Malice”, and “The March Sisters at Christmas”. Television credits include voicing characters on “Squigglevision” (ABC), “The Dick and Paula Celebrity Special” (FX), “Hey Money” (Oxygen) and “Dr. Katz, Professional Therapist” (Comedy Central). Her original plays include: Memorial, Wigged OUT!, and What Lips My Lips Have Kissed. Her solo show, Plum Pudding, garnered her critical praise and the 2003 IRNE award for Best Solo Performance. Her article “Handling the Hot Moments, How Actors Negotiate Intimacy On Stage,” was published in American Theatre Magazine. Paula was honored by the Boston Theatre Critics Association with the Elliot Norton Award for Sustained Excellence (past recipients include Sir Ian McKellen and Julie Harris) and for Best Actress twice (Lost in Yonkers and Miss Witherspoon). Ms. Plum was trained at The London Academy of Music and Dramatic arts and is a Cum Laude graduate of Boston University’s School for the Arts, where she was also honored as Distinguished Alumna in 2003.

Tony Estrella* – Commonwealth Shakespeare Company: Cymbeline. Gamm Theatre: Who’s Afraid of Virginia Woolf, Faith Healer, Midsummer Night’s Dream, Night of the Iguana, Hamlet, Macbeth, Winter’s Tale and many more. Huntington Theatre Company: A Prayer for the French Republic. Other theaters include Boston Playwright’s Theatre and The Trinity Repertory Company.  Tony has been the Artistic Director of The Gamm Theatre since 2002 and teaches Shakespeare at his alma mater, The University of Rhode Island. His film appearances include Martin Scorsese’s The Departed, Little Women, Company Men and The Good House.

Richard Snee* – Commonwealth Shakespeare Company: The Taming of the Shrew. Richard has been working in Boston area theatres for nearly forty years including Speakeasy Stage, Lyric Stage, American Repertory Theatre, Huntington Theatre, Gloucester Stage Company, The Umbrella Stage Company, and Merrimack Repertory Theatre. He is a founding member of Actors’ Shakespeare Project. Films include: “Godmothered”; “Gone, Baby, Gone”; “Don’t Look Up”, “The Company Men”. He has voiced animated characters for several series including “Dr.Katz”, “Home Movies”, “Science Court”, and “The Dick and Paula Celebrity Special” on FX in which he and his wife, Paula Plum, played the title roles. She was “Paula”. He was “The Dick”.

Robert Walsh – Commonwealth Shakespeare Company: Coriolanus (Cominius), Macbeth (Macduff ‘03), Henry V (Exeter)   Off-Broadway: Gloucester Blue (Cherry Lane), Big Maggie (Douglas Fairbanks), Penelope (Perry St. Theatre), and company member with the Theater of the Open Eye and the Riverside Shakespeare Company.  Boston: The Gaaga and The Dybbuk (Arlekin Players Theatre); Ah, Wilderness! and Hamlet (Huntington Theatre); Trouble in Mind (Lyric Stage); Our Town, Mass Appeal, A Midsummer Night’s Dream (Merrimack Rep); Sins of the Mother, The Subject Was Roses (Gloucester Stage); ‘ART’, The Cocktail Hour (New Rep); Next Fall (Speakeasy); and King Lear, Henry IV, Titus Andronicus, and Hamlet, among others for the Actors’ Shakespeare Project (founding company member).  Film/TV: “Fourth of July”, “Black Mass”, “Dead Reckoning”, “The Spirit of Christmas, Evening”; “State and Main”; “Amistad”; “Eight Men Out”; “Body of Proof” (ABC). Former Artistic Director of Gloucester Stage Company and serves on the faculty at Brandeis University. He directed the on-field ceremonies for the 1999 All-Star Game for Major League Baseball at Fenway Park in Boston.

Ryan Winkles* – Commonwealth Shakespeare Company: Universe Rushing Apart: Blue Kettle and Here We Go. Huntington Theatre: Joy and Pandemic. Gloucester Stage: Mr Fullerton, Between the Sheets. Martha’s Vineyard Playhouse: Visitors. Shakespeare & Company: Antony & Cleopatra, As You Like It, Henry V, Julius Caesar, King Lear, Love’s Labour’s Lost, Merry Wives of Windsor, A Midsummer Night’s Dream, Othello, Richard III, The Tempest, Twelfth Night, Two Gentlemen of Verona.

Joshua Olumide* – CSC: The Winter’s Tale. The Huntington: The Grove (World Premiere), Sojourners. Classic Theatre of Maryland: Romeo and Juliet. SpeakEasy Stage: Jaja’s African Hair Braiding. People’s Light: Our Town. Hanover Theatre Rep: Macbeth. New Rep: A Raisin in the Sun. Pennsylvania Shakespeare Festival Willpower Tour: A Midsummer Night’s Dream. Film credits include: “American Fiction” (MGM, Oscar-winning film), “Detroit” (Annapurna Pictures). @josholumide_ 

Nettie Chickering* – Commonwealth Shakespeare Company: Much Ado About Nothing, A Midsummer Night’s Dream (Stage2), CSC Apprentice 2020. Hudson Valley Shakespeare Festival: Romeo & Juliet. 60 Hour Shakespeare: Othello, As You Like It, Twelfth Night. Hub Theatre Boston: Love, Loss, & What I Wore, Into the Breeches! Nettie has also been seen at La Mama ETC and The Rubin Museum of Art. Nettie is a vocalist for the free jazz/poetry ensemble Heroes Are Gang Leaders. @nettiechickering

Clara Hevia — CSC: The Winter’s Tale (Perdita), A Midsummer Night’s Dream (Stage2) and Henry VI Part II (App Co). National tour: Cats (Swing/Booth Singer). Lyric Stage Company: Made You Look (Wren), Party Bots (Quinn/Others). Saratoga Shakespeare: King Lear (Cordelia/music captain). clarahevia.com @clara.hevia

Cleveland Nicoll– CSC: The Winter’s Tale, Macbeth; Stage 2: A Midsummer Night’s Dream, Romeo & Juliet. Wheelock Family Theatre: The SpongeBob Musical. The Hub Theatre Company of Boston: The Book of Will. Sundance: Wizard of Oz. Hale Centre Theatre: Baz Lurman’s Strictly Ballroom (U.S. Premiere), Phantom. An Other Theatre Co.: Hedwig and the Angry Inch. Renaissance Now Theatre & Film: Twelfth Night, The Tempest.

John Blair – Commonwealth Shakespeare Company: Second Witch in Macbeth, A Midsummer Nights Dream and Romeo and Juliet (Stage2). Hub Theater Company: The Book Of Will. The Tank (NYC): On How To Be A Monster. He studied theater at New York University.

Bella Grace Harris – Commonwealth Shakespeare Company: Macbeth (Gentlewoman), Romeo & Juliet (Stage 2), Much Ado About Nothing (u/s), Romeo & Juliet (Apprentice Repertory Company 2022). Wheelock Family Theater: A Wrinkle in Time (u/s Mrs. Whatsit). Training: BFA (Honors) from New York University’s Tisch School of the Arts. bellagraceharris.com

Ednilson Tavares – Commonwealth Shakespeare Company: Lysander in A Midsummer Night’s Dream (Stage2). Trinity Rep: La Mancha; 2022-2023 Gamm Fellow at The Gamm Theatre, RI. Will be attending The Juilliard School this upcoming fall for Drama.

Ryan Richard Doyle – Commonwealth Shakespeare Company: A Midsummer Night’s Dream (Stage2). Salem State University: Enter Laughing, Ragtime: The Musical, Bedroom Farce, The Laramie Project. Ryan can also be seen in the Oscar-winning film, “American Fiction”, as the bookstore employee, Ned! He is thrilled to make a return to the stage after receiving his BFA in Theater from Salem State University in 2021. Instagram: @dole_47

Hampton Richards – Commonwealth Shakespeare Company: Debut. Actors’ Shakespeare Project: Biondello in Taming of the Shrew. Boston Playwright’s Theatre: Michelle in OTP. Other Credits: The Odd Couple (Florence), Mercury (Pamela), and Revolt. She Said. Revolt Again. (Ensemble/Movement Captain). Hampton has just received her BFA in Acting at Boston University (‘24), and also studied Physical Theatre at Accademia Dell’Arte in Arezzo, Italy. She is incredibly grateful for her community; to her family for always supporting her, to her friends for always pushing her, and to every person who has made her laugh.

Rilyn Gardner – Commonwealth Shakespeare Company: A Midsummer Nights Dream (Stage2). Marblehead Little Theatre: Gypsy. West Valley Arts: Footloose. Sundance Mountain Resort: Mamma Mia. Renaissance Now: A Midsummer Night’s Dream. Noorda Center for the Performing Arts: Cabaret, She Loves Me, Much Ado About Nothing. UVU Black Box Series: The Merchant of Venice, The Yellow Boat. 

Chloe Boyan  – CSC: The Winter’s Tale, A Midsummer Night’s Dream, Apprentice Program 2023; Greater Boston Stage Company: Founding Effers; Sh!t Faced Shakespeare: Romeo and Juliet, Hamlet, Much Ado About Nothing, A Midsummer Night’s Dream; Oregon Shakespeare Festival: Lysistrata @ The Green Show; Broadway Bound Theatre Festival: Family Vacation; New York Theatre Festival: The Elevator; Oregon Cabaret Theatre: The Play That Goes Wrong, A Christmas Carol, The Full Monty. Chloe has also been seen at In Confidence Club NYC, Capital Stage Sacramento, and Catalyst Theatre Festival. Education: BFA in Acting from Southern Oregon University. www.chloeboyan.com @chloeboyan

Anne Borzner  – Commonwealth Shakespeare Company: A Midsummer Night’s Dream (Stage2), Julius Caesar (Apprentice Repertory Company 2023). Chatham Community Players: Nevermore Lenore. College of the Holy Cross: She Kills Monsters: Virtual Realms, Once in a Lifetime, The Curious Incident of the Dog in the Night-Time. Education: College of the Holy Cross.

Eviva Rose – is excited to return to CSC after performing as Mamillius in The Winter’s Tale, Young Macduff in Macbeth, and last year’s Carol. Previous credits include Charles Wallace in A Wrinkle in Time and a duckling in Make Way For Ducklings, both with Wheelock Family Theater.

Bryn Boice is an award-winning director, educator, actor, and producer, as well as CSC’s Associate Artistic Director and Director of Education & Training. Also for CSC, Bryn helmed Universe Rushing Apart: Blue Kettle & Here We Go – two Caryl Churchill one-acts – which garnered her the Elliot Norton Award for Outstanding Director, Large Theatre. Other recent Boston-area credits include: The Sound Inside and The Children (both Elliot Norton nominated for Outstanding Production, Speakeasy Stage); The Book of Will, Into the Breeches! (Elliot Norton nom. for Direction and Production, Hub Theatre Company); Tall Tales from Blackburn Tavern, Gloria (Gloucester Stage); The Half-Life of Marie Curie (The Nora Company); Admissions (The Gamm Theatre); Last Night at Bowl-Mor Lanes (Greater Boston Stage Company); an all-female production of Julius Caesar for Actors’ Shakespeare Project; and a number of Apprentice Repertory Company and Stage2 productions for CSC. New York, regional and other Boston credits as an actor and/or director include work with Asolo Repertory Company, Boston Playwrights’ Theatre, Anthem Theatre Company, Okoboji Theatre, InProximity Theatre, Theatre Row, Martha’s Vineyard PAC, Monomoy Theatre, Caroline’s on Broadway, and Manhattan Theatre Club. Before turning full-time to CSC, she taught at Salem State University, where her wide-ranging experience allowed her to teach Voice for Performance, Applied Stage Movement, Public Speaking, Directing, Acting III (Early Realism), Dramatic Theory & Criticism, and Dialects, among others. MFA in Directing, Boston University. MFA in Acting, Asolo Conservatory for Actor Training (FSU). Member AEA. For more information visit www.brynboice.com

William Shakespeare was a renowned English poet, playwright, and actor born in 1564, in Stratford-upon-Avon. His birthday is most commonly celebrated on 23 April, which is also believed to be the date on which he died in 1616. Shakespeare was a prolific writer during the Elizabethan and Jacobean ages of British theatre (sometimes referred to as the English Renaissance or the Early Modern Period). Shakespeare’s plays are perhaps his most enduring legacy, but they are not the only things he wrote. Shakespeare’s poetry has also remained popular to this day.

Shakespeare’s work includes 38 plays, 2 narrative poems, a collection of 154 sonnets, and other poems as well. No original manuscripts of Shakespeare’s plays are known to exist today, and about half of Shakespeare’s plays are only available to us because a group of actors in his company collected them for publication after his death. These writings were brought together in what is known as the First Folio (‘Folio’ refers to the size of the paper used). It contained 36 of his plays, and none of his poetry. Shakespeare’s legacy is as rich and diverse as his work; his plays have spawned countless adaptations across multiple genres and cultures, and his plays have had an enduring presence on stage and film.

His writings have been compiled in various iterations of The Complete Works of William Shakespeare by different entities, which usually include all of his plays, his sonnets, and his other poems. From Stratford to London and beyond, William Shakespeare was and is one of the most important literary figures of the English language.

James J. Fenton – CSC: Becket in Brief (Eliot Norton Award – Best Production), Boston Area: MRT (IRNE Nom x2: Best Scenic Design), Greater Boston Stage Co., Boston Center of the Arts. NYC: Public Theatre, Playwrights Horizons, Signature Theater, 59E59, Third Rail Productions, St. Clement’s, InProximity Theater. Regional: Westport Country Playhouse, ACT(SF), Oregon Shakespeare Festival, Royal Manitoba Theatre, Arizona Theater Company, Virginia Stage, Arkansas Theatre Co., Barrington Stage, Theater Squared. Tv/Film: Apple+, Paramount+, Netflix, Hulu, HBO, CBS, NBC.

​Rachel Padula-Shufelt is a graduate of Emerson College.   Recent costume design credits include Assassins, Fabulation, Preludes, Be Here Now, Thanksgiving Play at Lyric Stage, BORN TO DO THIS at Company Theatre (winner of broadway world award for Best Costume Design), HEROES OF THE FOURTH TURNING, THE CHILDREN, CHOIR BOY, ONCE, SHAKESPEARE IN LOVE, MEN ON BOATS at Speakeasy Stage, YOUNG NERDS OF COLOR, FRANKENSTEIN at Central Square Theatre, 39 STEPS at Greater Boston Stage Company, OLIVER, 1776 at New Rep Theatre, MACBETH, EDWARD II (Elliot Norton Award for Outstanding Design) at Actor’s Shakespeare Project, CHARLOTTE’S WEB at American Repertory Theatre. GLORIA, BAREFOOT IN THE PARK, TRAD and CRIMES OF THE HEART at Gloucester Stage Company. Rachel’s work as a hair and makeup designer has been seen  at Boston Ballet, American Repertory Theatre, Huntington Theatre, North Shore Music Theatre, and on Broadway. 

Maximo Grano De Oro is a Chicago-based lighting designer for theater, opera, and dance. Commonwealth Shakespeare Company: Macbeth, Much Ado About Nothing, The Tempest. Northlight Theatre: Selling Kabul. Northwestern Wirtz Center: Everybody, Sweat, As You Like It, Bengal Tiger at the Baghdad Zoo, In His Hands. Northwestern Opera: The Magic Flute, The Medium. MFA Northwestern University. maximolightingdesign.com @max.gdo_ld

David Remedios** (Sound Designer) – CSC: The Winter’s Tale; Macbeth (2023, Norton Award winner); Romeo and Juliet (2017); Our American Hamlet; Love’s Labour’s Lost; Twelfth Night (2014); The Last Will; Coriolanus; All’s Well That Ends Well; Othello. Recent: Dinner for One (Greater Boston Stage); The Search for Signs of Intelligent Life… (Merrimack Rep); Redeemed (59E59); Tornado Tastes Like Aluminum Sting (Contemporary American Theater Festival); The Hours Are Feminine (INTAR, HOLA Award nomination); Thirst (Lyric Stage); Machine Learning (Central Square, Norton Award nomination). Regional: Northern Stage, Arizona Theatre Company, Everyman, Huntington, Portland Stage, City Theatre, Alley Theatre, Trinity, 59E59, Geva, Studio Theatre, TFANA, American Repertory Theatre, Centerstage Baltimore, La Jolla Playhouse, Cincinnati Playhouse. David is Program Head of Sound Design at Boston University’s School of Theatre. remediossound.com.

Victoria Lynn Awkward (Choreographer) is a multi-hyphenate creator, administrator, educator and the Director of VLA DANCE. She pursued her multiple interests at Goucher College and graduated with high honors in Dance, Visual Art and Secondary Education. As the Director of VLA DANCE she is researching how to lead with joy, pleasure, and breath in and outside of art making practices. This work is guided through the lineage of Black and queer liberation practitioners. Alongside directing VLA DANCE, Victoria is a freelance artist, who most recently choreographed for Huntington Theater, Company One Theatre, Boston Lyric Opera, and Commonwealth Shakespeare. Victoria is currently a Brother Thomas Fellow, and recipient of the Next Steps for Boston Grant Dance Program as well as a recipient of the Queer (Re)public Theater Offensive Residency.

Jess Meyer – Jess is a nonbinary multi-hyphenate theatre artist. Commonwealth Shakespeare Company: Apprentice Program Administrative Associate, HandShakes Program Associate, Apprentice Repertory Company (ARC) Romeo and Juliet, CSC2 Romeo and Juliet, ARC Julius Caesar, and ARC A Midsummer Night’s Dream. Plays in Place: Revolution’s Edge, Nothing But Victory!. Lyric Stage: Preludes, On Paying Attention, Monster in the Sky, Kill the Dogs Knock Them Over, Unpacking. Fresh Ink: Orpheus in the Overworld, Revolutionary Spirits. Boston Playwrights’ Theater: Silvertone. Providence Fringe Festival: Silvertone. CentaStage: Noir Hamlet. Edinburgh Fringe Festival: Noir Hamlet. They have a BFA in Theatre and Performance from Emerson College and an American Sign Language Interpreter Certificate from Northern Essex. For more information about Jess, check out their website: jess-of-all-trades.com (they/them)

Jenna Worden is a producer, director, and stage manager with a passion for storytelling, education, and access to the arts. Favorite CSC credits include Birdy, Universe Rushing Apart, and Our American Hamlet. Additional regional credits include New Rep Theatre, Gloucester Stage Company, Phoenix Theatre, and Childsplay AZ. She collaborates often with Brian O’Donovan and is the director and producer of A Christmas Celtic Sojourn. She earned both her BA in Theatre Studies and BSEd in History from Northern Arizona University and is constantly looking for new ways to teach and be in conversation with the past. Proud member of Actors’ Equity Association.