The Tempest Online Script-In-Hand Performance

Remo Airaldi has appeared with CSC in Cymbeline, Richard III, Love’s Labour’s Lost, Twelfth Night, The Two Gentleman of Verona, Coriolanus, All’s Well That Ends Well, The Comedy of Errors, and The Taming of the Shrew. He has appeared in over sixty productions at the American Repertory Theater, including Night of the Iguana, Oliver Twist (also at Theatre for a New Audience and Berkeley Repertory Theatre), and Island of Slaves (IRNE Award—Outstanding Actor). Other credits: Shakespeare in Love (Speakeasy Stage), Murder on the Orient Express, Little Shop of Horrors, The Little Foxes, My Fair Lady, and Sweeney Todd (Lyric Stage), Exposed (Boston Playwrights’ Theater), Mistero Buffo (The Poets’ Theatre), Frankenstein and The Hound of the Baskervilles (Central Square Theater),The King of Second Avenue (New Repertory Theatre) and productions at Hartford Stage, La Jolla Playhouse, Geffen Playhouse, Cirque du Soleil, American Conservatory Theater, Walnut Street Theatre, Actors’ Theatre of Louisville. He teaches acting and public speaking at Harvard University.

Siobhan Juanita Brown is from Roxbury, MA.  She holds a Bachelor of Fine Arts degree in Performing Arts and African American studies from Emerson College and is a graduate of the American Repertory Theater Institute for Advanced Theater Training at Harvard University. For Commonwealth Shakespeare Company, she has played Titania in A Midsummer Night’s Dream (1996), Lady Capulet in Romeo and Juliet (1997), Olivia in Twelfth Night (2001), and The Widow in All’s Well That Ends Well (2011). Additional performance credits include Suzan-Lori Parks’ The America Play at the American Repertory Theater, The Emancipation of Valet de Chambre (premiere) at Cleveland Play House, Studs Terkel’s American Dreams: Lost and Found (premiere) with the Acting Company, The Nurse in Medea and several roles in Antony and Cleopatra for Actors’ Shakespeare Project, and The Mother in Adrienne Kennedy’s Funnyhouse of A Negro with Brandeis Theatre Company. She has worked extensively in arts education as the former Associate Director of Education at Citi Performing Arts Center and Director of School & Teacher Programs at Actors’ Shakespeare Project, as well as teaching for the Strand Theatre, Commonwealth Shakespeare Company, and the Acting Company.  As a playwright Siobhan wrote A Piece of Silver based on recorded conversations with her maternal and paternal grandmothers who are Mashpee Wampanoag Indian and African American, respectively. This personal tribute to her two favorite ladies also reveals a tender examination of the relationship between race, identity and politics in this country; the effects of oppression on the human spirit and how culture informs the resilience of women.  Siobhan is currently the Lead Teacher at Weetumuw Katnuhtôhtâkamuq, in the Lower Elementary classroom. This Wôpanâak language and culture immersion school provides academic and Indigenous education using a Montessori pedagogy for decolonization and language reclamation. 

Miguel Cervantes Broadway: Hamilton, If/Then, American Idiot, and 25th Annual Putnam County Spelling Bee. Additional theater: Giant (Public Theater), Happiness (Lincoln Center), Batboy.  TV/Film: The Greatest, Tramps “Person of Interest”, “BrainDead”, “Madam Secretary”, “Royal Pains”, “The Blacklist”.  He graduated from Emerson College, BFA in Musical Theater

Nora Eschenheimer is delighted to return to the CSC stage after last appearing as Imogen in Cymbeline. Her other recent credits include Rosalind in As You Like it, Perdita in The Winter’s Tale, and Gwendolen Fairfax in The Importance of Being Earnest at the Gamm Theatre, as well as Rachel Brown in Inherit the Wind at the Ocean State Theatre Company, and the Princess of France in Love’s Labour’s Lost at the Shakespeare Center of Los Angeles. She is the co-founder of the Tiny Traveling Theatre (as recently seen on HGTV and DIY Network) and has spent the last few years traveling the country to raise awareness of the importance of accessibility to the performing arts. www.noraeschenheimer.com | @noraeschenheimer

John Kuntz has appeared with CSC previously in Henry V, Hamlet and Twelfth Night.  He is the author of over 15 full-length plays including Necessary Monsters, The Hotel Nepenthe, Starfuckers and The Salt Girl.  As an actor, he has appeared with The Huntington, ART, Speakeasy and many others. He is the recipient of five Elliot Norton Awards, two IRNE Awards, a New York International Fringe Festival Award and a 2015 MCC Fellowship Award in Dramatic Writing.  He is a lecturer in Theatre, Dance and Media at Harvard University, an Associate Professor at The Boston Conservatory at Berklee and is the Artistic Director of The Derrah Theatre Lab.

Nael Nacer Recent area credits include: The Merchant of Venice, Macbeth, Equivocation (Actors’ Shakespeare Project), Romeo and Juliet, A Doll’s House, Bedroom Farce, Awake and Sing!, Our Town (Huntington Theatre), Tiny Beautiful Things (Merrimack Repertory Theatre), Small Mouth Sounds, Tribes (SpeakEasy Stage),The Return (Israeli Stage),The Seagull (Arlekin Players Theatre), True West, The Flick (Gloucester Stage), Constellations (Central Square Theatre), Mr. Burns, a Post-Electric Play, Intimate Apparel (Lyric Stage), A Number, Lungs (New Repertory Theatre), Rhinoceros, Windowmen (Boston Playwrights’ Theatre), and Shear Madness (Charles Playhouse). Nael is the recipient of Elliot Norton and IRNE awards, and is a resident acting company member of Actors’ Shakespeare Project.

Richard Noble has appeared previously with CSC as Edward IV et al. in Richard III (2018) and Philario et al. in Cymbeline (2019). In Rhode Island he has also appeared in numerous productions of the Perishable, Epic, Burbage, Gamm, and other theatres. In (much) earlier days he appeared in a couple of dozen productions at Wesleyan University, was a member of the Dartmouth Summer Rep, and frequently appeared with the Parish Players in Thetford, Vermont. By day he catalogs rare books for the Brown University Library.

Maurice Emmanuel Parent is an actor, singer, dancer, educator, and mentor originally from the Washington, D.C. area. He has performed Off-Broadway, across the nation, and in Kuala Lumpur, Malaysia. As an actor, Maurice has been nominated for four Elliot Norton Awards by The Boston Theater Critics Association, winning two, been nominated for eight Independent Reviewers of New England (IRNE) Awards, winning three and won a 2017 ArtsImpulse Award.  As an educator, Maurice has taught courses at Northeastern University, Boston University, Reed Academy, and the Boston Public Schools.  He has led workshops at The Boston Conservatory, Wellesley College, and several Boston theatre companies.  He was named the 2018 Monan Professor of Theatre Arts at Boston College and a 2019 Neubauer Fellow Faculty Fellow for Tufts University where he currently is Professor of the Practice.  He is a resident company member of the Actors’ Shakespeare Project and co-founder/Executive Director of the Front Porch Arts Collective (www.FrontPorchArts.org), a theatre company which “examines the interactions between race, economics, culture, gender, and sexuality from a Black perspective.” www.MauriceParent.com

John Douglas Thompson Lauded by critics, John Douglas Thompson has been extolled by the New York Times “as one of the most compelling classical stage actors of his generation.” Thompson was last seen on Broadway in King Lear in the role of Earl of Kent. In 2018, he costarred in the two-time Tony Award-winning Broadway revival of Rodgers & Hammerstein’s musical Carousel. He also starred in the Huntington Theatre Company’s Man in the Ring, (Elliot Norton and IRNE Awards). In 2017, he appeared in the titular role of the American Conservatory Theater’s production of Shakespeare’s Hamlet; and he co-starred in the highly publicized Public Theater’s Shakespeare in the Park production of Julius Caesar (Caius Cassius). Thompson received rave reviews for his role as Becker in August Wilson’s Broadway play Jitney, for which he received a Tony Award nomination. Thompson’s other credits include The Father and A Doll’s House at Theater For A New Audience, and in Troilus & Cressida at The Public. Other Broadway credits include A Time To Kill, Cyrano de Bergerac with Kevin Kline, and Julius Caesar with Denzel Washington. His Off-Broadway credits include: The Iceman Cometh with Nathan Lane and Brian Dennehy at the Brooklyn Academy of Music (Obie and Drama Desk Awards); Tamburlaine at Theater for a New Audience (Obie and Drama Desk Awards); Satchmo at the Waldorf (Drama Desk, Outer Critics Circle Award, and the NAACP Theatre Awards) at the Westside Theater, ACT, Wallis Center for the Performing Arts, Long Wharf Theater; King Lear with Sam Waterston at The Public Theater; Macbeth (title role); Othello (Obie Award, Lucille Lortel Award, Joe A. Callaway Award) at Theatre for a New Audience; The Forest with Dianne Wiest at Classic Stage Company; The Emperor Jones at The Irish Repertory Theatre (Joe A. Callaway Award and Lucille Lortel, Drama League and Drama Desk nominations); and Hedda Gabler at New York Theatre Workshop. Regional credits include: Joe Turner’s Come and Gone at Mark Taper Forum (Ovation Award); Antony and Cleopatra with Kate Mulgrew at Hartford Stage; Red Velvet, Othello, Richard III, King Lear, and Mother Courage with Olympia Dukakis at Shakespeare & Co.; Jesus Hopped the ‘A’ Train at The Wilma Theater (Barrymore Award); and productions at the Williamstown Theatre Festival, Trinity Repertory Company, American Repertory Theater and Yale Repertory Theatre. Thompson’s television credits include “The Immortal Life of Henrietta Lacks”, “Bull”, “Person of Interest”, “Madam Secretary”, “Law & Order”, “Law & Order: SVU”. His film credits are “Conviction”, “Wolves”, “The Bourne Legacy”, “Glass Chin”, “Michael Clayton”, “Midway”, and “Malcolm X”. Upcoming film releases include “21 Bridges” with Chadwick Boseman and Sienna Miller, “355” with Jessica Chastain, Diane Kruger, Penelope Cruz and Lupita Nyongo, and Steven Soderbergh’s “Let Them All Talk” with Meryl Streep, Candace Bergen, Dianne Wiest and Lucas Hedges. He is a Fox Fellow recipient; 2015 Samuel H. Scripps Award, for extraordinary commitment in promoting the power of language in classical and contemporary theatre; and a recipient of the 2013 Robert Brustein Award for sustained excellence in American theater. 

Michael Underhill is thrilled to be returning to CSC for his seventh production (Othello, Two Gentleman of Verona (u/s), Macbeth (CSC2), Richard III, Romeo & Juliet (CSC2) and Cymbeline). Michael is a graduate from Northeastern University and a Boston born and bred actor. Additional favorite roles include the title role in King John (Praxis Stage), Actor #1 in Hotel Nepenthe (Brown Box Theatre) and Joseph Surface in School for Scandal (Actors’ Shakespeare Project). Other regional credits include but are not limited to Huntington Theatre, SpeakEasy Stage, Boston Playwrights’ Theatre, Central Square Theatre and imaginary beasts. Find out more at www.michaeljamesunderhill.com

Siobhán Carroll is delighted to be returning to CSC after appearing here in Universe Rushing Apart: Blue Kettle and Here We Go. Siobhán is currently a full circle member at Clutch Productions in New York City and was recently in a production at HERE Arts Center. Boston credits include: Romeo and Juliet (Classic Repertory Company), Red Velvet (O.W.I.), Three Sisters (Apollinaire), Dark Room (Bridge Repertory), Next To Normal (Arts After Hours), and I, Snowflake and My Fascination with Creepy Ladies (Anthem Theatre Company). Siobhancarroll.com

Caroline Cronin makes her CSC debut. Regional: Celia in As You Like It and Bianca in Othello with Seven Stages Shakespeare Company in Portsmouth, NH and NYC. MA graduate of The London Academy of Music and Dramatic Art (LAMDA) and Rollins College. Proud StateraArts Regional Coordinator and mentor here in Boston. www.caroline-cronin.com 

Duncan Gallagher is excited to make his CSC and Boston debut in A Midsummer Night’s Dream. Credits while training include Mr. Pinchwife in The Country Wife, Brutus in Julius Caesar, Antonio in The Changeling and the title role in Richard III. MA: LAMDA, BA: Brown University.

Jessica Golden is delighted to be back with CSC! A graduate of NYU’S New Studio on Broadway, she was recently seen in Boston in Anthem Theatre Company’s My Fascination with Creepy Ladies, and the 2019 CSC Apprentice Program’s production of A Midsummer Night’s Dream. 

Alicia Hartz  is a New York-based actor thrilled to be returning to CSC! Favorite past theatrical credits include Viola in Twelfth Night (RADA, U.K.), Sarah in Hero Worship (Signature Theater, D.C.), and Medea’s Understudy in Medea (Queen’s Theater, NYC).  BFA NYU, aliciahartz.com, IG:@alicia.hartz

Dylan C. Wack is a Boston-based actor and educator, making his CSC debut with A Midsummer Night’s Dream. Dylan has performed with New Repertory Theatre, Boston Center for American Performance, Theater in the Open, and Fresh Ink Theatre, among others. Dylan holds a BFA from Boston University, and a Certificate in Classical Acting from the London Academy of Music and Dramatic Art. dylancwack.com

Christopher Robinson (Prospero/Sebastian/Stephano standby) works at Boston University’s Office of Disability & Access Services and also serves on the Board of Directors of StageSource (stagesource.com) For over a decade he has coordinated Accessibility Services or appeared as an ASL Interpreter for CSC’s productions on the Common. He has worked as an ASL/English interpreter for several Huntington Theatre Company’s productions of August Wilson’s Century Cycle, among other dramatic productions. He worked as a Shadow Interpreter for the Craig Lucas’ play, I Was Most Alive With You, a Huntington Theatre production. Regional Theatre Interpreting venues: Wheelock Family Theatre; Oregon Shakespeare Festival; Seattle Rep; American Repertory Theatre; BCAP at Boston University.

Michelle A. Banks (Gonzala/Ceres/Ensemble) is a native of Washington, DC, is an award-winning actress, writer, director, producer, choreographer, motivational speaker, and teacher. Former Artistic Director of Onyx Theatre Company for over 11 years in NYC. Her other achievements include the 2017 recipient of Gallaudet University’s Laurent Clerc Award, the 2002 recipient of the Christopher Reeve Acting Scholarship, an Individual Achievement Award from the National Council on Communicative Disorders, and a featured article in the February 1998 issue of ESSENCE magazine. Michelle’s most recent producing/directing credits: Gallaudet University’s A Raisin In the Sun, Look Through My Eyes, Silent Scream, Z: A Christmas Story, What Its Like (One Man Show), and In Sight and Sound: DE(A)F Poetry I, II & III.  Her acting appearances include “Sole” (TV Pilot), The C.A. Lyons Project (Alliance Theatre),”Soul Food” (Showtime Series), “Strong Medicine” (Lifetime), “Girlfriends” (UPN), “Compensation” (Independent Film), For Girls Who Considered Suicide When Rainbow Is Enu (NY & LA) and Big River (Mark Taper Forum & Ford Theater). Currently, Michelle Banks is the Artistic Director of VOCA – Visionaries of the Creative Arts, Inc. – www.visionariesofthecreativearts.org.

Frank Dattalo (Caliban/Antonio/Alonso/Ensemble)

Amelia Hensley (Miranda/Adrian/Iris/Juno/Ensemble) Recent work at Public Theater for The Line as ASL interpreter. Broadway: Spring Awakening (Deaf West). Off-Broadway: I Was Most Alive with You (Playwrights Horizons). NYC: Sylvia (NYDT), Dancing Girl (She NYC Arts), Stepchild (IRT Theater), Rape of Lucretia (New Camerata Opera).  Seattle: A Midsummer Night’s Dream (12th Ave Arts), Skin (Deaf Spotlight). LA: Orphee and Spring Awakening (Deaf West), Our Town (Pasadena Playhouse) Romeo and Juliet (Sontag Greek Theatre). DC: The Lady Becomes Him, (Faction of Fools), Peepshow (Dog & Pony DC), Noises Off (Kennedy Center American College Theater Festival).

Elbert Joseph (Prospero/Sebastian/Stephano)

John McGinty (Ariel/Ferdinand/Trinculo/Ensemble) credits: Broadway: Children of a Lesser God, King Lear.  NY: Fêtes de la Nuit, World Premiere of Samuel D. Hunter’s The Healing, Veritas, Movement of the Soul. Regional: Levity (WMPAC), The Hunchback of Notre Dame (Sacramento Music Circus and La Mirada Theatre), Tribes (Guthrie Theater, Steppenwolf Theatre), Pippin (CTG, Deaf West). Film: “Wonderstruck”, “Sign”, “The First Purge”. TV: “This Close”, “Zoey’s Extraordinary Playlist”, “High Maintenance”, “Don’t Shoot the Messenger”, “Able”.  @TheJohnMcGinty

c2 pioneered and specializes in live theatrical captioning for patrons with all degrees of hearing loss; theatre partners include Broadway, off Broadway, the Kennedy Center, national performing arts venues, and top-shelf regional Tony theatres, large and small. We provide both live performance captioning for the stage and digital captioning for the virtual world.

Cori Couture was last with CSC as the primary describer for Cymbeline in 2019 and has provided audio description for many Boston- area theatres and coordinated description for several of them. She regularly works with leaders in the local blind/visually impaired community to make sure potential audience members are aware of the vast number of productions available with description. Last year, more than 40 productions were presented with audio description in and around Boston! Cori has presented about live theatre description for the Mass. Cultural Council’s UP initiative, for CANE (Cultural Access New England), and described courses for Harvard Business School. In the early days of WGBH’s Descriptive Video Service (DVS), Cori wrote description for many PBS programs and for movies on home video. More recently, she worked with DVS to narrate the description for a slate of Paramount films, many of which are available on Netflix. These include: Failure to Launch, Rugrats in Paris, The Spiderwick Chronicles, and more.

William Shakespeare was a renowned English poet, playwright, and actor born in 1564, in Stratford-upon-Avon. His birthday is most commonly celebrated on 23 April, which is also believed to be the date on which he died in 1616. Shakespeare was a prolific writer during the Elizabethan and Jacobean ages of British theatre (sometimes referred to as the English Renaissance or the Early Modern Period). Shakespeare’s plays are perhaps his most enduring legacy, but they are not the only things he wrote. Shakespeare’s poetry has also remained popular to this day.

Shakespeare’s work includes 38 plays, 2 narrative poems, a collection of 154 sonnets, and other poems as well. No original manuscripts of Shakespeare’s plays are known to exist today, and about half of Shakespeare’s plays are only available to us because a group of actors in his company collected them for publication after his death. These writings were brought together in what is known as the First Folio (‘Folio’ refers to the size of the paper used). It contained 36 of his plays, and none of his poetry. Shakespeare’s legacy is as rich and diverse as his work; his plays have spawned countless adaptations across multiple genres and cultures, and his plays have had an enduring presence on stage and film.

His writings have been compiled in various iterations of The Complete Works of William Shakespeare by different entities, which usually include all of his plays, his sonnets, and his other poems. From Stratford to London and beyond, William Shakespeare was and is one of the most important literary figures of the English language.

Jeffrey Petersen returns to CSC after designing last season’s Stage2 production of Romeo and Juliet and after assisting Clint Ramos on the recent productions of Birdy and Death and the Maiden. Recent New England design credits include: Maria Regina d’Inghlterra (Odyssey Opera) Mary Stuart, Everyman (NEU) Barefoot in the Park, The Agitators (Gloucester Stage Co.); Becoming Dr. Ruth, Lonely Planet, Statements, Unveiled (New Repertory Theatre); Book Club Play, Elemeno Pea, Lost Tempo, Equal Writes,The Honey Trap (Boston Playwrights’ Theatre); As Associate Designer with Mr. Ramos: The Purists (The Huntington Theatre) MFA Boston University.  jeffreypetersendesign.com

Nancy Leary is a Costume Designer who’s visionary work for Opera and Theater has graced stages across the United States. Experienced in producing both highly conceptual and more traditional models of Opera and Theater costuming, Nancy has successfully applied her expertise to a wide array of theatrical styles and artistic endeavors.  From 2000 to the present Nancy has worked on well-established productions, recently developed pieces, and the premier of new works for such places as; Opéra Royal Château de Versailles, Glimmerglass Festival, The Pittsburg Symphony, Virginia Opera, Utah Opera, Boston Lyric Opera, Opera Saratoga, Mannes Opera, Chautauqua Opera, Mobile Opera, Juilliard Opera, Opera Boston, as well as Commonwealth Shakespeare Co.mpany, Westin Playhouse, The Julie Harris Theatre, The Barrow Group Theatre, and New York Live Arts to name a few.

David Reiffel (Sound Designer) is a Boston-based composer, songwriter, playwright and sound designer. Recent national credits include Shakespeare in Love (U.S. national premiere), Twelfth Night and Romeo and Juliet (Oregon Shakespeare Festival); Cymbeline (Shakespeare & Co.).  Recent Boston area credits include: Man of La Mancha (Elliot Norton Award for Outstanding Musical Direction), Master Class, and Chesapeake (IRNE Nominee )(New Repertory Theatre); The Curious Incident . . ., The Strange Undoing of Prudencia Hart, The Christians, A Midsummer Night’s Dream, and many others (Apollinaire Theater Company); Shakespeare in Love (Norton Award, musical direction), Dogfight, Big Fish, Carrie, and The Color Purple (SpeakEasy Stage); A Disappearing Number (Underground Railway Theatre, IRNE Nominee); King Lear, A Midsummer Night’s Dream, Othello, Measure for Measure, As You Like It, and Middletown (Actors’ Shakespeare Project); Gabriel, Doubt and I Capture the Castle (Greater Boston Stage Company); My Station in Life, The Rainmaker, Man in Snow, and Gloucester Blue (Gloucester Stage, LaMama); The Rag Doll (Blue Spruce, IRNE Nominee, Best New Play); Mary Stuart and Everyman (Northeastern); 10 out of 12 (Emerson Stage); The Cradle Will Rock and Coolsville (Boston Conservatory at Berklee). He teaches Songwriting at The Boston Conservatory at Berklee. Listen at soundcloud.com/davidreiffel.

Jenna Worden is delighted to return to CSC, where she works most often as a Stage Manager. Favorite CSC credits include Birdy, Universe Rushing Apart, and Our American Hamlet. Jenna also works with Brian O’Donovan to present both A Christmas Celtic Sojourn and The Rockport Celtic Festival.  Additional regional credits include New Rep Theatre, Gloucester Stage Company, Phoenix Theatre, and Childsplay AZ. She earned both her BA in Theatre Studies and BSEd in History from Northern Arizona University, and is constantly looking for new ways to teach and be in conversation with the past. Proud member of Actors’ Equity Association.

Scott Wallace has worked in the entertainment industry for the past 35 years, starting his career in Boston for prestigious companies like Boston Ballet, and Boston Lyric Opera.  He worked for Cirque du Soleil for 15 years as General Manager, and toured over 30 countries and 6 continents on several big top shows such as Quidam, Kooza, and OVO. He currently works at Emerson College for the Office of the Arts as Senior Manager of Production for the past 8 years.

Ashlyn Frank is thrilled to be back on the common this summer and working on The Tempest. She is a recent graduate of Fordham University Lincoln Center with a major in theatre where she directed The Turn of the Screw, Anne of the Thousand Days, and My Papier Mache Monster. Past Professional directing credits include: Stupid F#cking Bird at Theatre 54, Romeo and Juliet (AD) at CSC, and The Hunchback of Notre Dame (AD) at the Iris Theatre in London. She has ben a casting director for Chamber Theatre Productions as well as an intern at Telsey + Co. 

Courtney Langlais is a theatre and history major at Suffolk University in Boston. She has been passionate about performing Shakespeare since middle school. Visit Courtney’s blog on her experience as a CSC Apprentice!  https://courtsterr90.wixsite.com/actingapprentice

Through a generous anonymous donation, The Suffolk University Theatre Department funds several undergraduate summer apprenticeships and internships for Theatre Majors. The 2018 recipients include Courtney Langlais (Suffolk 2020).

The Suffolk University Theatre Department is student-centered. Students write, direct, and design their own original plays and intern with leading theatre companies at Suffolk’s Modern Theatre and organizations throughout the United States. Students work in classic, musical, and experimental genres with a special focus on new work.

Brian McCoy Audio engineer focusing in live sound reinforcement with extensive experience mixing Front of House, as a Monitor Engineer, and System Tech. Comfortable with responsibilities of being Crew- chief and system designer. Displaying a strong sense of pride in the craft, constantly learning and keeping up with industry innovations, with the flexibility and knowledge to be able to be able to adapt to any situation.

Alexandria Wailes was granted a 2020 Obie citation for Sustained Excellence as an Artist and Advocate. She was nominated for a Lucille Lortel’s Outstanding Featured Actress in a Play For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf at The Public which also received other nominations including Outstanding Revival. She also was in The Public’s production of Mother Courage. Broadway: Deaf West’s Spring Awakening, Big River (Tony Honoree for Ensemble). Off Broadway: Playwright Horizon’s I Was Most Alive with You, A Kind Of Alaska, Regional: Gruesome Playground Injuries, Love Person, Sleeping Beauty Wakes (LA Ovation nominated), Pasadena Playhouse’s Our Town. Film: ‘The Hyperglot’, ‘Scenes from the Underground’. TV: ‘Law & Order: Criminal Intent’, ‘High Maintenance’, ‘Little America’, ‘Nurse Jackie’. Web: ‘Don’t Shoot the Messenger’. Director of Artistic Sign Language credentials on the revival of Broadway’s Children Of a Lesser God and King Lear plus numerous off Broadway and regional theatre TV/Film: This Close S. 1 & 2; Quantico S.3; A Quiet Place 1 & 2; Wonderstruck. Ms. Wailes has advised ASL interpreted teams for Hands On and TDF on shows such as Dear Evan Hansen, Aladdin, Book of Mormon, School of Rock, Kinky Boots and Therese Raquin to name a few. Alexandria has worked at several museums in NYC as an educator
conducting ASL tours and as a teaching artist for Theatre Development Fund. Proud member of AEA, SAG-AFTRA and SDC. www.alexandriawailes.com

Miranda McClean