In the title roles, both massive and lyrical, the gutsy Juliet of Gracyn Mix (despite looking uncomfortably like a Disney princess) is an apt combination of swelling emotion and quick thinking: You can see the rushed hormonal and synaptic connections produced by every untimely event. And John Zdrojeski’s Romeo is alternately melancholy, goofy and giddy, with a refreshingly natural delivery. Eventually this man-boy regresses and throws an adolescent tantrum — just before finally getting his adult act together. (Juliet, you might say, was born great; Romeo has greatness thrust upon him.)
The Tempest Script-In-Hand Performance, Thursday, August 6 at 7pm on
CSC’s YouTube Channel!