Artistic & Education
Steven is the Founding Artistic Director of Commonwealth Shakespeare Company (CSC). IAt CSC he has been directing Free Shakespeare on the Boston Common productions since 1996, including Richard III, Love’s Labour’s Lost, King Lear, Twelfth Night, The Two Gentlemen of Verona, Coriolanus, All’s Well That Ends Well, Othello, The Comedy Of Errors, As You Like It, A Midsummer Night’s Dream, The Taming of the Shrew, Hamlet, Much Ado About Nothing, Macbeth, Henry V, The Tempest, Julius Caesar, and Romeo & Juliet. In collaboration with Boston Landmarks Orchestra, he directed A Midsummer Night’s Dream, featuring the Overture and Incidental Music of Felix Mendelssohn, as well as concert stagings of The Boys from Syracuse and Kiss Me Kate at Boston’s iconic Hatch Shell. For CSC he has also directed one-night-only readings of iconic plays featuring Ruben Santiago-Hudson, Paul Rudd, Blair Brown, Tony Shalhoub, Leslie Uggams, David Morse, and Jeffrey Donovan among others. He also conceived and directed Shakespeare at Fenway an evening of Shakespeare scenes performed at Boston’s iconic Fenway Park, featuring Mike O’Malley, Neal McDonough, Maryann Plunkett, Jay O. Sanders, Kerry O’Malley, Seth Gilliam, Zuzanna Szadkowski, and Jason Butler Harner.
In collaboration with Google, he recently adapted and directed a first of its kind sixty minute virtual reality film of Shakespeare’s Hamlet, entitled
Other CSC works include his recent critically acclaimed production of Ariel Dorfman’s Death and the Maiden, the world premiere of Jake Broder’s Our American Hamlet, and the world premiere of Robert Brustein’s The Last Will. He directed Péter Eötvös operatic treatment of Tony Kushner’s Angels in America (U.S. Premiere) and Thomas Adès Powder Her Face for Opera Boston, The Turn of the Screw at New Repertory Theatre, Santaland Diaries and Chay Yew’s Porcelain at SpeakEasy Stage Company, Top Girls and Weldon Rising at Coyote Theatre, and The L.A. Plays by Han Ong at A.R.T. HIs New York City credits include the New York Musical Theatre Festival production of Without You, written and starring Anthony Rapp. The production has been seen in Boston, Edinburgh, Toronto, London, and Seoul.
He received the prestigious Elliot Norton Award for Sustained Excellence, as well as for Best Production, Twelfth Night, Outstanding Director, A Midsummer Night’s Dream; Best Production, Suburbia; Best Solo Performance, John Kuntz’s Starf***ers (which also won Best Solo Performance Award at New York International Fringe Festival). His feature film “The Autumn Heart”, starring Tyne Daly and Ally Sheedy was in the Dramatic Competition at the Sundance Film Festival.
Adam Sanders is the Associate Artistic Director at Commonwealth Shakespeare Company, theater-in-residence at Babson College. He serves as director of the Apprentice Program, and is the director and originator of CSC2, a cohort of early-career actors. Directing credits for CSC include: Romeo and Juliet, A Midsummer Night’s Dream, Julius Caesar (CSC2 Company), Symphonic Shakespeare, (in collaboration with Boston Landmarks Orchestra at the Boston Hatch Shell); co-director: Kiss Me Kate, A Midsummer Night’s Dream, and The Boys From Syracuse (also BLO/Hatch Shell collaborations), co-director/dramaturg: Shakespeare and Leadership (2013 – 2017), and CSCs unprecedented Shakespeare at Fenway performance in 2014; director: Shakespeare and the Law (2017). At Babson College, Adam is the Associate Director of the Sorenson Center for the Arts where he supports the artistic development of undergraduate students within a business focused curriculum. Adam holds a Master of Arts in theater education from Emerson College and is a Master of Business Administration candidate at Babson.
Victoria Townsend is a Boston-based director, teaching-artist and occasional performer. In addition to her work on artistic programing for CSC, she also serves as the Academy Coordinator for the Apprentice Program and CSC2 as well as work on many other educational programs. Directing Credits: Emerging Playwright’s Festival (Wheelock Family Theater), Cosi Fan Tutte (New England Conservatory’s UGOS Program), The Memorandum (Flat Earth Theater). Assistant Directing Credits: Fear and Misery in the Third Reich, Kiss me Kate, Romeo and Juliet and Shakespeare and Leadership (CSC) and L’Egisto (NEC/UGOS). She has also served as a teaching-artist for Watertown Children’s Theater and Live Arts Education. A Massachusetts native, Victoria currently resides in Woburn and is a graduate of Saint Michael’s College in Vermont with a degrees in Theatre and English Literature.
Janet M. Bailey has an extensive career spanning both strategic consulting and direct line management in both the nonprofit and corporate sectors.
She is currently President of her own consulting practice, Janet Bailey Associates, which provides marketing, strategic, development, organizational, and communications consulting services to arts and cultural organizations and other nonprofits. Recent and current clients include organizations of all sizes that are engaged in theater, classical music, opera, dance, and visual arts, along with several educational institutions, collaborative arts consortiums, funding organizations, performing arts facilities, arts service institutions, and other nonprofit organizations.
A partial list of recent clients includes ArtsBoston, the Boston Conservatory, Boston Lyric Opera, Celebrity Series of Boston, Commonwealth Shakespeare Company, Company One, Fruitlands Museum, Handel and Haydn Society, Indian Hill Music, the Massachusetts Cultural Council, New Repertory Theatre, the Sorenson Center for the Arts at Babson College, SpeakEasy Stage Company, Stoneham Theatre, Washington National Opera, and Wheelock Family Theatre.
Prior to starting her own practice in 1997, Janet served for five years as General Manager and Director of Marketing for the Handel & Haydn Society. Earlier in her career she spent five years as a consultant with McKinsey & Company in their New York office and in several locations in Latin America, advising major corporations in a variety of industries on matters of organization and strategy. She subsequently served in several line-management positions with the Times Mirror Corporation, working as Operations Director and General Manager in two of Times Mirror’s cable-television subsidiaries.
Janet has been deeply involved in the leadership of professional associations and volunteer activities throughout her career, and has served in the past as President of the Boston Arts Marketing Alliance, the Boston Ballet Volunteer Association, and the Boston chapter of Women in Cable. She currently serves on the Board of Directors of StageSource, the alliance of New England theater professionals, and on the Board of Directors of the Community Music Center of Boston.
She holds B.A. and M.B.A. degrees from Boston University. She is currently on the faculty of BU’s graduate program in Arts Administration and is the 2007 recipient of the Deveau Faculty Award for Excellence in Teaching.
Heather Darrow is the Director of Marketing for Commonwealth Shakespeare Company in residence at Babson College where she also oversees marketing for BabsonARTS. Previously, she was Development Director for New Repertory Theater which included overseeing the 30th Anniversary Campaign. Before that, she was with Broadway Across America-Boston (now Broadway in Boston) as Associate Marketing Manager before assuming the role of Marketing Director and supporting the marketing efforts of touring Broadway productions. Her career began at New York City Opera where she spent 5 years in the Marketing Department.
Erin Coffey has been in the role of Director of Development at Commonwealth Shakespeare Company since December 2017. Prior to coming to CSC she spent two years at Boston Lyric Opera as the Associate Director of Major Gifts and prior to that was at the Celebrity Series of Boston for five years as their Manager of Annual Giving. She is an active member of the Association of Fundraising Professionals and Women in Development of Greater Boston. She holds an M.S. from Boston University in Arts Administration, where she also received a Certificate in Fundraising Management.
Rebecca Wallis joined CSC as the Manager of Annual Giving and Events in June 2019. Prior to coming to CSC, she worked in Development at ArtsBoston and The Dance Complex. Before moving to Boston, she began her non-profit career at ArtsFund in Seattle, WA. Rebecca holds an M.S. in Arts Administration from Boston University.
Natasha Cole is the Management and Development Operations Associate for Commonwealth Shakespeare Company, having previously been their Development Operations Intern during 2018’s Free Shakespeare on the Common production of Richard III. She is a core ensemble member of Providence-based Out Loud Theatre and graduated from Hofstra University with a BFA in Theatre Arts.
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Katalin (Kati) Mitchell is the Media Relations Representative at CSC. She retired from her position of Director of Press and Public Relations of the American Repertory Theater (A.R.T.) in 2017 after twenty-seven years in charge of national and international press relations, publications, and promotions for the A.R.T. Mainstage productions and offerings on its second stages, as well as the A.R.T./MXAT Institute for Advanced Theatre Training; she also collaborated with New York producers and publicists on the transfer of several A.R.T. productions to Broadway. She worked with major international theater and film artists, and was instrumental in maintaining the theater’s institutional image under three Artistic Directors. Previously Kati served for seven years as the Executive Director of the early music ensemble The Boston Camerata, managing the general operation of internationally-acclaimed early music ensemble, including their touring and recording projects. She was a founding member of the arts advocacy group, the Boston Arts Marketing Alliance, where currently she holds the post of President. Kati was born in Hungary and raised in Brazil, and has made Boston her home for over 40 years.
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