CSC Offices will be Closed on Monday, February 17, in observance of Presidents’ Day.
CSC Offices will be Closed on Monday, February 17, in observance of Presidents’ Day.
Nathan Leigh has designed sound and composed original music for over 300 plays at theatres including New York Theatre Workshop (Nat Turner In Jerusalem), Red Bull Theatre (The Duchess of Malfi),Huntington Theatre (Skeleton Crew), American Repertory Theatre, Berkshire Theatre Group, The Debate Society (Gothamist: Best Sound Design 2007 for The Eaten Heart), Stoneham Theatre (IRNE Best Sound Design 2009 for Strangers On A Train), and Central Square Theatre (IRNE Best Sound Design 2010 for The Hound of the Baskervilles). With Kyle Jarrow, Nathan co-created the musicals Big Money (WTF Boris Segall Fellowship 2008) and The Consequences (World Premiere 2012 at WHAT). With the Liars and Believers ensemble, Nathan Leigh composed scores for adaptations of Song of Songs and Icarus. With Megan Sass, he is the composer and lyricist for The Mad Scientist’s Guide (NYC Fringe 2015). Nathan’s latest solo album is “Ordinary Eternal Machinery”.
Production | Role |
---|---|
Much Ado About Nothing |
Co-Sound Designer
|
Stage 2: Julius Caesar 2017 |
Sound Design
|
Stage2: Macbeth 2018 |
Sound Design
|
Richard III |
Sound Design & Original Music
|